The Silk Mill – Derby Museums
Like many large regional cities in the UK, Derby's public museums date back to the or 'mothballing' of the Museum – leaving the Museum intact but closing it to of new discussions and relationships leading to rapid prototyping of ideas in. The Derby Silk Mill Museum of Making (DSMMoM) is pioneering an approach .. business closure rates of ( and ). The DSMMoM . Describes the relationship between cultural engagement and momentary. Derby Museum and Art Gallery was established in in Derby, England, along with Derby Central . "Closure could be small step back for a giant leap forward. .. The relationship between a Wikipedian in residence and the community.
Come and be inspired at Derby Museums
After placing all the artefacts into storage for three years, the museum was finally opened to the public on 28 June Goodey who had been collecting art for 50 years. The extension, which now houses the museum, was completed in The museum did not know about the theft until they accessed the facility to remove an item from storage. Stolen items included coins, medals, and watches. A man was charged with receiving stolen goods in connection with the theft in January The enlightenment has many strands, including the largely philosophical "Scottish enlightenment" centred around the philosopher David Humeand political changes that culminated in the French revolutionbut the English Midlands was an area where many key figures of industry and science came together.
The Derby Gallery possesses over sketches and 34 oil paintings by Wright, and also holds a document collection. One of the paintings is entitled The Alchymist in Search of the Philosopher's Stone and it depicts the discovery of the element phosphorus by German alchemist Hennig Brand in A flask into which a large quantity of urine has been boiled down is seen bursting into light as the phosphorus, which is abundant in urine, ignites spontaneously in air.
The Scottish scientist, astronomer and lecturer James Ferguson undertook a series of lectures in Derby in July In order to illustrate his lectures he used various machines, models and instruments. The artist could also have drawn on Whitehurst's practical knowledge to find out more about the orrery and its operation.
Some ten years later scientists worldwide would find themselves persecuted, or even put to death in the backlash to the French Revolution ofitself the culmination of enlightenment thinking.
Derby Museum and Art Gallery
Joseph Priestley, member of the Lunar Society and discoverer of oxygen would flee Britain after his laboratory in Birmingham was smashed and his house burned down in the Birmingham riots ofby a mob objecting to his outspoken support for the French Revolution; and his colleague Lavoisier in France would be executed at the guillotine.
The politician and philosopher Edmund Burkein his famous Reflections on the Revolution in Francetied natural philosophers, and specifically Priestley, to the French Revolution, writing that radicals who supported science in Britain "considered man in their experiments no more than they do mice in an air pump". In the light of this comment, Wright's painting of the bird in the air pump, completed over twenty years earlier, seems particularly prescient. Make project at Derby Silk Mill.The Nanas guide to derby museums Light & Dark
Since we have worked with Makers in Residence, artists, makers, hackers, tinkerers and members of the public to shape and design a new museum. People can learn new skills in our workshop, make new friends and be creative in a way unconstrained by formal learning.
Museums and the Civic Contract part 2 – the Derby way | tonybutler's blog
The results of the experimental phase have been unexpected, unusual and have breathed new life into what was a fairly uninspiring industrial museum. Building on what was learnt at the Silk Mill, we used the same co-production methodology in the creation of a new natural history gallery at Derby Museum and Art Gallery. The gallery Notice Nature Feel Joyinvolved a phalanx of specialists and experts such as zoologists, entomologists, taxidemists, psychologists and musicians a well as a large group of public volunteers.
The results were a beautiful melange of specimen, stories and details of the wonders of the natural world, enriched by the voices of many individuals. Both these projects could have resulted in displays which appealed exclusively to the interests of those involved.
To guard against this we used a human centred design methodology in project development. This analyses and foresees how users are likely to use a product. It also tests the validity of assumptions with regard to user behaviour in real world tests with actual users. At the start we set up project labs in our galleries where we gathered user suggestions. People wanted displays which were experiential, not didactic. Throughout the project, we tested ideas in an open gallery space, making the exhibition in full public view so that visitors would feel they could talk to staff and volunteers and offer views.
We would imagine, prototype, test, evaluate, make and share — just like the scienetists and artists of the 18th century Enlightment embodied by the work of Joseph Wright of Derby. Whilst this was going on, we were fighting the prospect of huge cuts from our major funder. This would have had a devastating effect on the organisation, threatening the closure of one of our musuems.
Reluctantly we went public and launched a petition to the city council urging them to reconsider.