Get an answer for 'Explain the relationship between Lord Henry, Dorian and Since the beautiful, the aesthetic, is essential to Basil, he asks to paint Dorian's portrait. But, afterwards, he realizes that he has revealed too much of himself in his. Basil struggles hard to maintain his intimate relationship with Dorian Gray all his First of all, the unique properties and symbolic meanings of the portrait in this. Get an answer for 'What is the relationship between Dorian Gray and his picture and how his portrait basically possesses Basil's deep and nearly-obsessive.
He only seeks for sensual fulfilment and momentary pleasures, without caring about any consequences because they would leave no marks on his body.
For this reason, Basil cannot believe the rumours about Dorian until he sees the young man's soul - his portrait. But not only the young man turns into an artwork. The artwork also becomes vivid. After some time Dorian recognises first changes in the portrait DG Typically, for Gothic literature, there is no scientific explanation given why the portrait comes to life.
Only Basil once seems eager to suggest that the changes must be a result of some chemical processes DG The portrait can be considered Dorian's doppelgaenger. It would be murder! Since murder can only be committed to a living person the change must have taken place already. As a result, the portrait starts taking over Dorian's place by showing the consequences of his lifestyle, while his appearance remains beautiful and pure.
Therefore it can be said that, from his wish on, Dorian himself turns into the artwork and the picture comes alive. The consequences of this transposition are fatal. Dorian reaches a stage where he doesn't feel regretful for the things he does, but the picture sets him under pressure by constantly confronting him with the ugliness of his actions. Trying to free himself from the painting's power Dorian first kills its creator, his former friend Basil, and soon after accidentally kills himself in the intention to destroy the portrait.
In this suicidal moment the transposition comes to an end. In conclusion it can be said that it is not possible to exchange live and art, for they are separate spheres and must not be confused WM The Picture of Dorian Gray gives ambiguous assignments who the real artist is, having in mind that an artist does not necessarily need to be the creator of paintings, sculptures or architecture. Both, Basil Hallward and Lord Henry can be considered artists, depending on their creation.
Certainly the more obvious one is Basil, who appears as a conventional painter. He is the creator of the visual artwork. Surely his portrait initiates Dorian's corruption when the boy objectifies his appearance for the first time JCO But not only Basil can be blamed for Dorian's moral decay.
He only mirrors on canvas what he believes to see in Dorian. He can be referred to as Dorian's moral creator because he is the one who has most influence over the young man's thinking and acting.
While Dorian is Basil's one true artistic inspiration, for Henry he is far more than that. Summary[ edit ] Dorian Gray is the subject of a full-length portrait in oil by Basil Hallward, an artist who is impressed and infatuated by Dorian's beauty ; he believes that Dorian's beauty is responsible for the new mood in his art as a painter. Through Basil, Dorian meets Lord Henry Wotton, and he soon is enthralled by the aristocrat's hedonistic world view: Newly understanding that his beauty will fade, Dorian expresses the desire to sell his soul, to ensure that the picture, rather than he, will age and fade.
The wish is granted, and Dorian pursues a libertine life of varied and amoral experiences, while staying young and beautiful; all the while his portrait ages and records every sin. While sitting for the painting, Dorian listens to Lord Henry espousing his hedonistic world view, and begins to think that beauty is the only aspect of life worth pursuing.
This prompts Dorian to wish that the painted image of himself would age instead of himself. Under the hedonistic influence of Lord Henry, Dorian fully explores his sensuality. He discovers the actress Sibyl Vane, who performs Shakespeare plays in a dingy, working-class theatre.
Dorian approaches and courts her, and soon proposes marriage.
The enamoured Sibyl calls him "Prince Charming", and swoons with the happiness of being loved, but her protective brother, James, warns that if "Prince Charming" harms her, he will murder him. Sibyl, too enamoured with Dorian to act, performs poorly, which makes both Basil and Lord Henry think Dorian has fallen in love with Sibyl because of her beauty instead of her acting talent.
Embarrassed, Dorian rejects Sibyl, telling her that acting was her beauty; without that, she no longer interests him.
On returning home, Dorian notices that the portrait has changed; his wish has come true, and the man in the portrait bears a subtle sneer of cruelty.
Dorian Gray observes the corruption recorded in his portrait, in the film The Picture of Dorian Gray Conscience-stricken and lonely, Dorian decides to reconcile with Sibyl, but he is too late, as Lord Henry informs him that Sibyl has killed herself.
Dorian then understands that, where his life is headed, lust and beauty shall suffice. Dorian locks the portrait up, and over the following eighteen years, he experiments with every vice, influenced by a morally poisonous French novel that Lord Henry Wotton gave him. One night, before leaving for Paris, Basil goes to Dorian's house to ask him about rumours of his self-indulgent sensualism.
Dorian does not deny his debauchery, and takes Basil to see the portrait. The portrait has become so hideous that Basil is only able to identify it as his work by the signature he affixes to all his portraits.
Basil is horrified, and beseeches Dorian to pray for salvation. In anger, Dorian blames his fate on Basil, and stabs him to death. Dorian then calmly blackmails an old friend, the scientist Alan Campbell, into using his knowledge of chemistry to destroy the body of Basil Hallward. Alan later kills himself. A 19th century London opium den based on fictional accounts of the day.
To escape the guilt of his crime, Dorian goes to an opium denwhere James Vane is unknowingly present. James had been seeking vengeance upon Dorian ever since Sibyl killed herself, but had no leads to pursue: In the opium den however he hears someone refer to Dorian as "Prince Charming", and he accosts Dorian. Dorian deceives James into believing that he is too young to have known Sibyl, who killed herself 18 years earlier, as his face is still that of a young man.
James relents and releases Dorian, but is then approached by a woman from the opium den who reproaches James for not killing Dorian. She confirms that the man was Dorian Gray and explains that he has not aged in 18 years.
James runs after Dorian, but he has gone. James then begins to stalk Dorian, causing Dorian to fear for his life. However, during a shooting party, a hunter accidentally kills James Vane, who was lurking in a thicket. On returning to London, Dorian tells Lord Henry that he will live righteously from now on. Dorian wonders if his new-found goodness has reverted the corruption in the picture, but when he looks he sees only an even uglier image of himself.
From that, Dorian understands that his true motives for the self-sacrifice of moral reformation were the vanity and curiosity of his quest for new experiences, along with the desire to restore beauty to the picture. Deciding that only full confession will absolve him of wrongdoing, Dorian decides to destroy the last vestige of his conscience, and the only piece of evidence remaining of his crimes—the picture.
In a rage, he takes the knife with which he murdered Basil Hallward, and stabs the picture. The servants of the house awaken on hearing a cry from the locked room; on the street, passers-by who also heard the cry call the police. On entering the locked room, the servants find an unknown old man, stabbed in the heart, his face and figure withered and decrepit.
The servants identify the disfigured corpse by the rings on its fingers which belonged to their master, Dorian Gray. Beside him, the portrait is now restored to its former appearance of beauty. Characters[ edit ] Oscar Wilde said that, in the novel The Picture of Dorian Graythree of the characters were reflections of himself: Basil Hallward is what I think I am: Lord Henry is what the world thinks of me: Dorian is what I would like to be—in other ages, perhaps.
The characters of the story are Dorian Gray — a handsome, narcissistic young man enthralled by Lord Henry's "new" hedonism. He indulges in every pleasure and virtually every 'sin', studying its effect upon him, which eventually leads to his death.
Basil Hallward — a deeply moral man, the painter of the portrait, and infatuated with Dorian, whose patronage realises his potential as an artist.
The Picture of Dorian Gray - Wikipedia
The picture of Dorian Gray is Basil's masterpiece. Lord Henry "Harry" Wotton — an imperious aristocrat and a decadent dandy who espouses a philosophy of self-indulgent hedonism. Initially Basil's friend, he neglects him for Dorian's beauty. Lord Harry's libertine world view corrupts Dorian, who then successfully emulates him. To the aristocrat Harry, the observant artist Basil says, "You never say a moral thing, and you never do a wrong thing. His distinguishing feature is total indifference to the consequences of his actions.
Scholars generally accept the character is partly inspired by Wilde's friend Lord Ronald Gower. Her love for Dorian ruins her acting ability, because she no longer finds pleasure in portraying fictional love as she is now experiencing real love in her life. She kills herself on learning that Dorian no longer loves her; at that, Lord Henry likens her to Opheliain Hamlet. James Vane — Sibyl's brother, a sailor who leaves for Australia.
He is very protective of his sister, especially as their mother cares only for Dorian's money.