Replacements pleased to meet me sessions

Pleased to Meet 'Em: The Replacements' Sire Years - PopMatters

replacements pleased to meet me sessions

Pleased to Meet Me Sessions, a Bootleg of songs by The Replacements. Genres: Jangle Pop, Alternative Rock. The Replacements - Pleased To Meet Me . to ceaseless imbibing, seems like the closest thing to an actual play-by-play from the sessions. Ah, the Replacements—their legend precedes them, and it goes a little something like this This is the story of Pleased to Meet Me. The sessions with Chilton, who was co-leader of pop cult favorites Big Star and singer.

Inthe Replacements released their fourth album and debut for Sire, Tim. Despite its attachment to parent group WEA, Sire had earned its cool cred by offering a home to the likes the Ramones and Talking Heads. By the mid-'80s, however, it also had a superstar in Madonna, so Sire was not without the ability to rocket its artists to a level of fame beyond hipster renown.

The excellent Tim did nothing to diminish the Replacements' standing as a beloved underground act and hardly earned the band overnight stardom it peaked at on the Billboard Produced in a straight-ahead, no-frills fashion by Tommy Erdelyi aka Tommy Ramonethe record retains all of the buzzing energy of the group's earlier work, while adding a nice dose of punch to the rhythm section of bassist Tommy Stinson and drummer Chris Mars.

Tim is cleaner sounding than Let It Be, but that's mostly to do with the band's evolution from unbridled punks to practiced veterans.

Musicheads Essentials: The Replacements, 'Pleased to Meet Me' | The Current

Westerberg's maturity as a songwriting also demanded cleaner performances. Tunes like the tight and poppy "Kiss Me on the Bus", snarky honky-tonker "Waitress in the Sky", and the delicate, reflective "Swingin Party" are all expertly crafted and deserving of inclusion in modern rock songbooks. If the Replacements had stampeded through these numbers in some dodgy recording studio, that would have been a crime.

Fortunately, everything aligned such that the songs that deserved close attention and care received just that, while the album's looser and more rockin' numbers were given room to roam. It's the lone throwaway track on Tim, but its positioning between "Kiss Me on the Bus" and "Waitress in the Sky" provides a nice shot of mindless adrenaline. The only minor detractor on the album is "Lay It Down Clown", a brisk yet sour-toned tune buried at track eight.

The trio that concludes the record, however, is superb. The lovely "Here Comes a Regular", which is built mostly on strummed acoustic guitars and Westerberg's plaintive vocals, is the perfect comedown closer. Sadly, Tim was the final album to feature all four of the original Replacements.

Torn and Frayed: The Story of the Replacements’ 1987 Classic Pleased to Meet Me

After that record's tour, lead guitarist Bob Stinson was fired. His life had become too much of a mess for the rest of the band. So, it was as a trio that they recorded 's Pleased to Meet Me. Unfortunately, he employed the standard treatments of the time: Beneath this murk and behind the big beat, however, lurks a batch of songs which equals Tim's in writing and execution. Appropriately, Big Star's leader is paid tribute on "Alex Chilton", a catchy, tight-riffing, and lyrically hyperbolic ditty in which Westerberg declares, "Children by the millions sing for Alex Chilton.

replacements pleased to meet me sessions

That song, and many others on the album, are more carefully executed than the Replacements of past efforts, but the boys still bashed out some fuzzy rockers, too. The group were also expanding their palette considerably. Horns also punctuate the boozy call-and-response verses of "I Don't Know" as well as the toe-tapping, sunny, and melodious album closer, "Can't Hardly Wait". Who writes the liner notes?

OT: The Replacements (Pleased To Meet Me sessions)

What do they say? When is it all really done? Making a great record is difficult circumstances. The more I learn about what it takes for the final version of an album to arrive in a bin at a record shop, the more I am in awe that even one album exists, never mind its greatness. Yet many do, and some of them are indeed great.

Each is a testament to the personal strength and intestinal fortitude of the artist beyond proof that you need to suffer to see.

Pleased to Meet Me

And then there were three. Pleased to Meet Me was released July 7, It was also their first and only record made as a trio. When all was said and done, Pleased to Meet Me peaked at on the Billboard charts, and though reviews continued to be strong, sales fell short of the expectations of both the label and the band. Now, a whole bunch of opinions. Pleased to Meet Me is the finest record The Replacements ever made. Sonically, it is fantastic; rich and full of style and swagger.

It lands in that sweet spot where technology, team, craft, chops, guts, attitude, ideas, creativity and some major label money all intersected at the right time for those songs to become what they became. Ripping guitars that defied the trends of the time mostly.

replacements pleased to meet me sessions

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replacements pleased to meet me sessions

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replacements pleased to meet me sessions

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replacements pleased to meet me sessions

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