Sense and Sensibility (film) - Wikipedia
Category Archives: Sense and Sensibility for the reader to pity Edward for the awful connection he had made according to Elinor. .. Whether or not the reader can trust Lucy's word concerning her supposed four-year. She's heard Sir John teasing Elinor about her Mr. F., she knows Elinor knows She sees the teasing, the blushes, the relationship between the two of them, and Elinor into believing it would be a betrayal of friendship, confidence, and trust. In Sense and Sensibility, why was it so wrong for Lucy to marry Edward, but. Sense and Sensibility is a novel by Jane Austen, published in It was published anonymously; By A Lady appears on the title page where the author's name might have been. It tells the story of the Dashwood sisters, Elinor (age 19) and Marianne (age . Edward and Elinor marry, and later Marianne marries Colonel Brandon.
Soon Marianne receives a curt letter enclosing their former correspondence and love tokens, including a lock of her hair. Willoughby informs her of his engagement to a young lady, Miss Grey, who has a large fortune. After Elinor has read the letter, Marianne admits to Elinor that she and Willoughby were never engaged.
She behaved as if they were because she knew she loved him and thought that he loved her. He reveals to Elinor that Willoughby is a scoundrel. His aunt disinherited him after she learned that he had seduced, impregnated, then abandoned Brandon's young ward, Miss Eliza Williams, and refused to marry her. Willoughby, in great personal debt, chose to marry Miss Grey for money rather than love.
Eliza is the illegitimate daughter of Brandon's first love, also called Eliza, a young woman who was his father's ward and an heiress. She was forced into an unhappy marriage to Brandon's elder brother, in order to shore up the family's debts, and that marriage ended in scandal and divorce while Brandon was abroad with the Army. After Colonel Brandon's father and brother died, he inherited the family estate and returned to find Eliza dying in a pauper's home, so Brandon took charge of raising her young daughter.
Brandon tells Elinor that Marianne strongly reminds him of the elder Eliza for her sincerity and sweet impulsiveness. Brandon removed the younger Eliza to the country, and reveals to Elinor all of these details in the hope that Marianne could get some consolation in discovering that Willoughby was revealed as a villain. Meanwhile, the Steele sisters have come to London as guests of Mrs Jennings. After a brief acquaintance, they are asked to stay at John and Fanny Dashwoods' London house.
Lucy sees the invitation as a personal compliment, rather than what it is, a slight to Elinor and Marianne who, being family, should have received such invitation first. As a result, the Misses Steele are turned out of the house, and Edward is ordered by his wealthy mother to break off the engagement on pain of disinheritance.
Edward refuses to comply and is immediately disinherited in favour of his brother, Robert, which gains him respect for his conduct and sympathy from Elinor and Marianne. Colonel Brandon shows his admiration by offering Edward the living a clergyman's income of Delaford parsonage so that he might one day be able to afford to marry Lucy after he takes orders. Charlotte Palmer, at her husband's estate, called Cleveland. Marianne, still in misery over Willoughby's marriage, goes walking in the rain and becomes dangerously ill.
She is diagnosed with putrid fever, and it is believed that her life is in danger.
Sense and Sensibility - Wikipedia
Elinor writes to Mrs. Dashwood to explain the gravity of the situation, and Colonel Brandon volunteers to go and bring Marianne's mother to Cleveland to be with her.
In the night, Willoughby arrives and reveals to Elinor that his love for Marianne was genuine and that losing her has made him miserable. He elicits Elinor's pity because his choice has made him unhappy, but she is disgusted by the callous way in which he talks of Miss Williams and his own wife. He also reveals that his aunt said she would have forgiven him if he married Miss Williams but that he refused. Marianne recovers from her illness, and Elinor tells her of Willoughby's visit.
Marianne realises that she could never have been happy with Willoughby's immoral, erratic, and inconsiderate ways. She values Elinor's more moderated conduct with Edward and resolves to model herself after Elinor's courage and good sense.
Edward arrives and reveals that, after his disinheritance, Lucy jilted him in favour of his now wealthy younger brother, Robert. Edward and Elinor marry, and later Marianne marries Colonel Brandon, having gradually come to love him.
The two couples live as neighbours, with both sisters and husbands in harmony with each other. Willoughby considers Marianne as his ideal but the narrator tells the reader not to suppose that he was never happy. She represents the "sense" half of Austen's title Sense and Sensibility. She is 19 years old at the beginning of the book.
She becomes attached to Edward Ferrars, the brother-in-law of her elder half-brother, John. She sympathetically befriends Colonel Brandon, Marianne's long-suffering admirer and eventual husband. Always feeling a keen sense of responsibility to her family and friends, she places their welfare and interests above her own and suppresses her own strong emotions in a way that leads others to think she is indifferent or cold-hearted.
For example, even though she is extremely distressed upon learning of Lucy Steele's secret engagement to Edward, Elinor keeps Lucy's secret and does not reveal her discomfort with the information. While the book's narrative style is 3rd person omniscient, it is Elinor's viewpoint that is primarily reflected.
Thus, the description of most of the novel's characters and events reflects Elinor's thoughts and insights. Marianne Dashwood — the romantically inclined and eagerly expressive second daughter of Mr and Mrs Henry Dashwood. Her emotional excesses identify her as the "sensibility" half of Austen's title.
She is 16 years old at the beginning of the book. She is the object of the attentions of Colonel Brandon and Mr Willoughby. She is attracted to young, handsome, romantically spirited Willoughby and does not think much of the older, more reserved Colonel Brandon. Marianne undergoes the most development within the book, learning her sensibilities have been selfish.
She decides her conduct should be more like that of her elder sister, Elinor.Sense & Sensibility 理性與感性 - Elinor & Edward
Edward Ferrars — the elder of Fanny Dashwood's two brothers. He forms an attachment to Elinor Dashwood. Years before meeting the Dashwoods, Ferrars proposed to Lucy Steele, the niece of his tutor. The engagement has been kept secret owing to the expectation that Ferrars' family would object to his marrying Miss Steele. He is disowned by his mother on discovery of the engagement after refusing to give it up.
John Willoughby — a philandering nephew of a neighbour of the Middletons, a dashing figure who charms Marianne and shares her artistic and cultural sensibilities. It is generally presumed by many of their mutual acquaintances that he is engaged to marry Marianne partly due to her own overly familiar actions, i. He is also contrasted by Austen as being " He is 35 years old at the beginning of the book.
He falls in love with Marianne at first sight, as she reminds him of his father's ward whom he had fallen in love with when he was young.
He is prevented from marrying the ward because his father was determined she marry his older brother. He was sent into the military abroad to be away from her, and while gone, the girl suffered numerous misfortunes—partly as a consequence of her unhappy marriage.
Colonel Brandon finds her in the rain and brings her home. Elinor stays at her side until she recovers, and the sisters return home.
Colonel Brandon and Marianne begin spending time together as Marianne has a new appreciation for him. She admits to Elinor that even if Willoughby had chosen her, she was no longer convinced that love would have been enough to make him happy. The Dashwoods soon learn that Miss Steele has become Mrs. Ferrars and assume she is married to Edward. Later when Edward visits their house, they learn that Miss Steele jilted him in favor of his brother Robert.
Edward proposes to and marries Elinor. Edward becomes a vicar under the patronage of Colonel Brandon, whom Marianne marries.
Willoughby is seen watching their wedding from a distance, and then rides away. Production[ edit ] Conception and adaptation[ edit ] InLindsay Doranthe new president of production company Mirage Enterpriseswas on a company retreat brainstorming potential film ideas when she suggested the Jane Austen novel Sense and Sensibility to her colleagues.
Just when you think you know what's going on, everything is different. It's got real suspense, but it's not a thriller. A week after its completion, the producer selected Thompson to adapt Sense and Sensibility,  although she knew that Thompson had never written a screenplay. I learned about screenwriting at her feet.
Doran later recalled the work was criticized for not getting underway until Willoughby's arrival, with Edward sidelined as backstory. Thompson and Doran quickly realised that "if we didn't meet Edward and do the work and take that twenty minutes to set up those people She was considered a risk, as her experience was as an actress who had never written a film script.
Columbia Pictures executive Amy Pascal supported Thompson's work, and agreed to sign as the producer and distributor. In panic Thompson called fellow actor and close friend Stephen Frythe host of QI and a self-professed "geek".
After seven hours, Fry was able to recover the documents from the device. He was not familiar with Jane Austen. Of course, the dry sense of humour, the sense of decorum, the social code is different.
But the essence of social repression against free will — I grew up with that. I was brought up in Taiwan, what do I know about 19th-century England? About halfway through the script it started to make sense why they chose me.
The Palmers are another mismatched couple and, in the film, the physical contrast between the two actors embodying them — small plump Imelda Staunton and tall lean Hugh Laurie — offers a comic visual representation of their ill-assortedness.
In fact, rather than belittling Edward and Elinor's feelings for each other, the sentence mocks the excesses displayed in sentimental novels. The text is more ambiguous still regarding Marianne, with assertions accompanied by amendments.
Indeed, when Marianne marries, she is not in love: The mention of the colonel's flannel waistcoat again in the last chapter can however be seen as humorous as suggested by the exclamation mark. Moreover, it was originally an indication of the heroine's simplistic views and shortcuts: The final allusion is therefore not necessarily negative but may be read as proof that Marianne has grown out of some of her prejudices.
The couple reaches the middle ground advocated by Austen: He was not handsome, and his manners required intimacy to make them pleasing. In fact, he is absent for the best part of the novel and when present, he is not very forthcoming as he is hiding his engagement with Lucy or is markedly helped by Elinor as in volume II, chapter 13 when he visits Elinor and unexpectedly finds Lucy with her.
The narrator mocks his embarrassment: Alternatively, this unromantic dimension of the heroes and the two weddings in the novel can be explained by the link between the two sisters being the most important one, as suggested by the very last paragraph that is devoted first and foremost to their relationship, which has sometimes been read as superior to the marital link. It is true that narrator significantly returns to the bond between the sisters at the end of a general overview of all the characters and incorporates their new married state into the bond: Colonel Brandon has indeed come to share some of the positive qualities of Austen's Willoughby as appears, for instance, in his reading poetry to Marianne.
In the film, there is thus no suggestion that either Elinor or Marianne is losing out. The film certainly shows the sisters' intimacy and trust recovered with their walk by the seaside discussing Willoughby, yet it does not end on a two-shot of Elinor and Marianne but on a romantic country wedding. Visual representation 21Ang Lee's Sense and Sensibility displays the same two final phases pointed out by David Bordwell in classical Hollywood movies: The epilogue is the privileged place for poetic justice: Indeed, while, as shown above, Austen deliberately resisted poetic justice in the epilogue to her novel, Ang Lee's conveys a different atmosphere in his adaptation.
Marianne and Colonel Brandon's wedding does not feature in the novel. Marriage is the symbol of the happy ending see Lodge and Bordwelland Lee makes it the centrepiece of his epilogue. The resolution, Edward's declaration and proposal to Elinor not actually represented but observed by the other Dashwood women shown in medium shots displaying their strong emotion is followed by a cut to a procession of unknown children sauntering and shouting around a wedding cake.
With these images of joyful village children arriving to accompany the couple coming out of church, the wedding is fully celebrated as a social event that gathers the community together. Social harmony, joy and happiness are the order of the day with smiling faces, music and blue skies. The camera lingers slightly on Elinor and Edward. A few shots on Marianne turning a loving face to a beaming Brandon and later peacefully smiling when sitting in the carriage ascertain the happiness of all — and deny any doubt one may have had reading the novel as to Marianne's feelings.