Poetry and Revelation: For a Phenomenology of Religious Poetry: Kevin Hart: Bloomsbury Academic
His religious beliefs were modeled on ther philosophy of Duns Scotus Gerard Manley Hopkins‟ oeuvre which comprises such prominent poems as “The magnitude and to explore the mystery of creation, nature and its relation with man . Religious poetry has often been regarded as minor poetry and dismissed in that the relationship between poetry, philosophy, and religion is a zero-sum game. the truth in the classical sense – the relationship between cognition and reality. 2) Philosophy, primarily the philosophy of the beauty of religious poetry, esthetics Our quarterly will focus on both religious poetry (individual poems, poetic.
Arnold excludes this from the highest class of poetry, because it embodies only a fanciful idea, because the idea has little truth or seriousness in it, little correspondence with the fact of life.
Just so he quotes as an instance of supreme excellence in poetry, of supreme truth and seriousness, supreme power to fit the right sort of emotion to the human lot as it is, Dante's grand line, "In la saa voluntade 6 nostre pace" "In His will is our peace ".
Now, why does he attribute to this line supreme poetical excellence? Not because it expresses a mere idea, but because it expresses with depth and simplicity a profoundly true idea; that is, because it embodies a clear vision of the real relation between the nature of man and the will of God. In what sense can it be justly said that here the idea is everything?
The idea is everything if it be true, and everything that it should not be, if it be false.
MR. MATTHEW ARNOLD ON POETRY AND RELIGION.
The emotion of profound peace which it expresses is emin- ently suitable to the position of man, if the will of God really determines all the best part of his lot; and emin- ently fanciful and unreal, eminently of the character of the unreal imaginations which, in Shelley, Mr. Arnold implicitly condemns, if there be no such will in which to find peace. Bat, after all, this is a mere single illustration of the difficulty which Mr.
The difficulty itself goes much further. If it be true that there is an ideal world, with laws of its own and a life of its own, to which every human life and all human laws may make in time an indefinitely close 'approach, then the higher poetry, so far as it brings that higher life and those higher laws home to us as parts, but in great degree struggling and partially suppressed parts, of our life here, is doing us the greatest possible service.
It is, in that case, as Mr: But if this be not so'? Arnold sometimes seemb to think, all these assumptions are "divine illusion ;" if poetry. Arnold thinks most highly. Take his own special poet, Wordsworth. Can any one maintain, even with plausibility, that Wordsworth's noblest poems have not magni- fied vastly the weight which. Can it be a sell-preserving instinct which niagnifies the importance of illusion?
Is it not the first instinct of self-preservation to open the eyes of man to all illusions that divert him, without reason, from pursuits which bear substantial fruit to pursuits which bear none? Supposing the value of poetry to be determined by the truth and seriousness of its utterance, how can we praise that poetry which distracts our minds with shadows, and which spends its emotion on conceptions as unreal as Shelley's Prometheus or his fiery car and its fairy guide?
Arnold quotes, in defence of his view of poetry,—or at least in defence of one of his views, for we are persuaded that he vibrates between two which are by no means reconcilable with each other,—Wordsworth's fine expression that "poetry is the impassioned expression which is lathe countenance of all science. He held that poetry is "the breath and finer spirit of all knowledge," as Mr.
Arnold again quotes him ;—not as Mr. Arnold in one of his moods appears now to wish to translate it, of all ideas. And there is a vast, an immeasurable distance between the two views. Arnold, in one of his moods, seems to wish to divorce poetry from fact, to treat its life as a parasitic life, fed not on fact, but on ideas.Which 'Love and Relationships' Poems Compare Well?
In another of his moods, he treats it as the "breath and finer spirit of all knowledge. Does he mean that poetry is ideal in the sense of being independent of the truth of its ideas, or, on the contrary, that it breathes no spirit which is not in some sense the spirit of true ideas, of ideas tested by life and science and experience, and not found wanting? We suspect that unconsciously to himself, Mr.
Poetry and Robert Browning
Arnold wants to get for poetry the advantage of both modes of speech, and to avoid the difficulties of each. We present the results of this research on the phenomenon of religious and sacred poetry to the representatives of many scholarly disciplines.
In particular, with regard to religious and sacred poetry we are interested in the following subjects, arranged by the following disciplines and sub disciplines: Our quarterly will focus on both religious poetry individual poems, poetic traditions, and so forth and the religious poets or artists producing religious works, and see them all as a broad matter of research, open for description, analysis, and examination.
- Poetry and Revelation
- Poetry and the Religious Imagination: The Power of the Word
We also examine the receiver of these religious works: Psalms, hymns, Lamentations and poetic fragments of the Holy Scripturewho receives of the message imparted by religious poetry in accordance with the principles of communication theory.
We also focus on the learning process that occurs though religious poetry and education, as well as through Christian literature and biblical pedagogy. The high professional standards of this periodical will be established by the presence of eminent specialists and scholars on our international scholarly board who represent university centers in many countries in Europe and North America.
Poetry and the Religious Imagination: The Power of the Word | Heythrop College
Our aim is to meet the high standards of national and international scores for published scholarly papers. We offer our academic and scholarly peer-reviewed periodical to the scholars of various humanistic branches from all countries.
We invite authors to publish original papers that include the results of their own research. We also invite authors to publish reviews of scholarly books devoted to Christian religious poetry, Christian literary culture, education through poetry and other religious, cultural and educational matters of this kind.