Thoughts On: Finding Nemo - The Family Circle Of Trust: Dory
family film which beautifully portrays the relationship between a father and son, Through the movie, Nemo and Marlin both grow tremendously, Marlin as to understand what Nemo is capable of and to trust his judgment. So, with Marlin embodying both Nemo's mother and father as he . Dory instil ' male' characteristics into her and Marlin's relationship; she is the. In Disney's Pixar film Finding Nemo, a clown fish named Marlin sets out on a journey Through the journey, Marlin learns to trust in those around him instead of to find his son so that he can “mend their broken relationship” ( reelsclassroom).
The namesake of the film, Nemo, is a young fish who never knew his mother. Since Nemo has a damaged fin, his father is very protective of him.
Over protectiveness seems to be a common trait among parents, especially fathers, and this is the source of the conflict Nemo has with his father, Marlin. Marlin, a widower before his children were even born hatchedis a fantastic father figure. Marlin demonstrates amazing dedication to his child, never wavering in his determination to find Nemo, no matter where in the ocean he may be.
Finding Nemo Essay
He faces all perils and all challenges to find his boy. Anyone who says men like to abandon their children should pay close attention to Marlin. There are three major stages to Marlin's quest in this respect; he must confront the loss of his wife, his lost sense of adventure and his lost son.
What we will be doing today is exploring Marlin's reconciliation with the anima, the female archetype: A traditional, nuclear family is structured around a mother, father and, below them, children. In adhering to this idea, we find the opening of this story gives reason for this structure with the mother, Coral, being cautionary, warning Marlin of the dangers of freedom whilst he, the adventurer, embraces the danger.
This equilibrium is shown to be the near-perfect equation for the family before the barracuda attacks.
Dory is the Real Hero of Finding Nemo
So, with Marlin embodying both Nemo's mother and father as he raises him alone, he struggles to find a balance - as represented by his over-anxious almost neurotic nature. This disharmony - as we will explore in greater depth later on - leads to Nemo's capture, and so has Marlin trail his way to Dory is a classical device: As in all adventures, Marlin has been called out of his known world and into the unknown.
With Dory as the accomplice, her role isn't just to provide help or impart wisdom - at least, not directly.
Dory will test Marlin and, by fate the hand of the writerthe two will grow together. So, in a way, Dory will help re-construct the family circle of trust by inadvertently re-assessing the roles of the anima and animus as the head of the family.
One of the most ingenious aspects of Dory's character is then that she has short-term memory loss. To anyone who has followed the blog for a while or who has an interest in experimental filmmaking, the name Maya Deren will be familiar to you.
Deren's most famous film is Meshes Of The Afternoon. Rife with symbolism, but wrought by a complex relationship between space and time, Meshes Of The Afternoon seemingly explores loss and confrontation in a relationship. One of the most expressive and unique aspects of this film is the manner in which it uses time as a formal device.
Giving insight into this, Deren herself articulated her idea of female and male perceptions of time in the posthumous documentary, In the Mirror of Maya Deren. What I do in my films is very distinctive.
I think the strength of men is in their great sense of immediacy. A woman has strength to wait because she has had to wait.
Time is built into her body in the sense of 'becomingness'. She sees everything in terms of the stage of becoming This quote which can be heard heard in full here explains her films as projecting a woman's sense of time through waiting and through expanded time being compressed into a small frame.
Deren goes on to imply that this sense of time that is unique to females may be inherent to them because of their biology she references pregnancy later onand so Deren's statement on time is essentially that the anima, the female archetype, is defined - in a way - by a wider understanding of time than a man.
Finding Nemo by Mekaila McManaman on Prezi
This idea speaks incredibly well to our concept of Coral as the cautionary maternal figure - she who has to think ahead of herself for the sake of her children - and Marlin as the adventure - he who concentrates on manipulating the now. With Marlin becoming a neurotic mother, he thinks too much about the future and entirely loses contact with his idea of 'now'. But, when he meets Dory, he finds a female figure who is completely opposed to Deren's conception of the female perspective; she has no grip of waiting and the future.Finding Nemo Part 7 Hello My Name Is Marlin Am A Clown Fish! Short Movie
This grip was lost because Dory lost her idea of the 'now' for so long she has had short-term memory loss for so long that she doesn't have an idea of the long-term past. As a result, Dory has lost the male perspective of time a projection of the animus - the 'male' attribute within females for so long that she has also lost her female perspective. There is then both disharmony in Marlin, whose anima as represented by his perception of time is out of control and in Dory, who, because she is so bound to the now, doesn't seem like a functional person.
She then breaks all expectations of a female accomplice as she doesn't remind the male of his hubris and stupidity like, for example, Hermione does throughout the Harry Potter series. This representation of males and females in stories, whilst not a scientifically derived idea, resonates with the nuclear family because the female has her inadequacies and the male his, but, together, they form a functional union. When we look to the pairing of Dory and Marlin, we have two dysfunctional individuals who, speaking about Dory, have no grip on time and, looking to Marlin, tries to control time too much.
Separated, they seem to be doomed to wander in an ocean of either timelessness or constant, deranging ticking. Together, however, it is implied that the two can maybe mute each other's faults instead of emphasising them.
Dory, more adventurous and experienced, sees no danger lurking in the dark, in fact, getting a feeling that the trench is the safer path than going up and over, as Marlin suggests. She says he should trust her, something that friends do, but Marlin distracts her anyway and convinces her to go up.
They play a game to get out, bouncing on the domed heads, but Dory is eventually struck and knocked unconscious forcing Marlin to make a desperate rescue and escape. It leaves her with a scar on her left side.
Unsure where to go, they swim in circles until Marlin panics and wants to head for the surface. Dory stops him and tells him all they need to do is ask for directions. Spotting a shadowy figure in the distance, she beckons, but Marlin hushes her and demands she stop, fearing that whatever that creature is in the distance could ingest them and spit out their bones. The words harken back to the trench, and seeing her scar as a reminder of his failure to listen before, he lets her continue and soon enough, a massive minke whale appears.
She cries out that he must let go, that everything will be alright, and at last he does. All she knows is the present, and for her, it brings her joy, to see the world fresh with every passing few minutes.