Mar 23, Free Essay: Act II: Development of Relationships between Husbands and Act II, Julius Caesar: Comparison of Relationship between Brutus and Portia and Caesar and Calpurnia Relationships between characters play a great part in Julius Caesar, the . Bartleby bookstore · Quotations · Bible · Top PORTIA Dear my lord, Make me acquainted with your cause of grief. [ ] Within the bond of marriage, tell me, Brutus, Is it excepted I should know no secrets. The difference can mainly be seen in Act II, scene i (Brutus and Portia) and Act II, scene ii (Caesar and Calpurnia). Portia talks to Brutus as though she were his.
The dialogue between Brutus and Portia, along with that of Calphurnia and Caesar, plays a significant role in the development of the plot. He, however, is a bit startled at the fact that his wife is awake at this time of night. Wherefore rise you now? Telling Brutus how she senses something is bothering him, perhaps a secret he is keeping from her, and knowing that within, he is at war with himself, she explains that Brutus got out of bed for an unknown reason, and the other night had arisen during suppertime, with strange gesticulations and expressions.
These odd mannerisms of Brutus lead Portia to be troubled once again, and when she inquires further about his affairs, he simply dismisses her with the wave of his hand. Brutus is restless, sleepless, and wisely she approaches him cautiously.
All Portia wants to know, as a good wife, is the cause of his grief. He avoids answering any questions about public business, but Portia is a more intelligent woman than that, and she finds fault in his pathetic defense, explaining that if he were sick, he would know how to obtain good health. To gain his favor, she pleads with him by kneeling, demonstrating her willingness to be submissive. Reasonably and logically, she tries to convey to Brutus of the meaning of marriage, where two beings become one and share a life together.
Both being part of one body, she believes that she has the right to know of those mysterious cloaked men. At this time, Brutus feels a bit guilty of his past actions and knows that as husband and wife, they are not only two beings in one body, but equals, and lifts Portia up.
Brutus shows his compassionate side, where he respects his wife and does not want her to feel inferior. Portia tells Brutus that if he were gentle, she would not need to beseech him while kneeling.
Portia, the rendition of the Roman modern woman, cannot live in that kind of state, believing that she feels used.
Slowly, Brutus understands his wife and feels shame when recalling what she has gone through. Next, Portia says that if what he says is true, Brutus should live up to his word by telling her the secret. Portia understands that as a woman, she is somewhat inferior to her husband, but she is not just any woman, for she has a good husband and is the daughter Cato, a well-respected Roman.
To prove her constancy even further, she, following the Hellenistic form of ascetics, stoicism, makes a gash in her thigh. This wound was a proof of pain and showed her love and loyal constancy.
Brutus now promises to confide all secrets in her and treasures his wife greater than before. At last, from this dialogue between Brutus and Portia, we learn that Brutus will confide in her later, but the present time is not suitable to discuss the secrets with her.
From this, trust emerges from its dark corners and fills the gap between Brutus and Portia.
Subject to epileptic fits. Influenced by Calpurnia's dream and augurers' warnings. Yet, although Caesar's weakness is thus emphasized, he rules throughout the play, especially after his death. The chief conspirators must at length fall before Caesar's spirit. Cassius's last words are "Caesar, thou art revenged," and Brutus ends his life with. He is the idealist, the dreamer, so universally respected that the conspirators seek him to give prestige to their cause.
Love of country, of liberty, of honor, are his guiding principles. Patriotic and liberty loving. Not that I love Caesar less but that I loved Rome more. The name of honor more than I fear death. Romans need no other bond than their pledged word. Self controlled and stoical. We must die, Messala As the play progresses, we retain all our respect for Brutus's high moral character and disinterestedness, but cannot fail to see that, though forced to act, he is not qualified for action.
Adjectives to Describe the Characters in Julius Caesar
His public life is only a series of mistakes. Refuses to have Antony killed. Gives Antony permission to speak at Caesar's funeral. Insists on marching to Philippi.
Himself the soul of honor, scorning to do anything unworthy of a Roman, acting only for his country's welfare, he is incapable of imputing less honorable motives to those with whom he is associated. Mark Antony, his political enemy, fitly pronounces him "the noblest Roman of them all. As he, actuated by the principles of honor and love of country, forces himself to perform deeds against his nature, so Portia, exercising the self-restraint and noble dignity suited to a woman "so fathered and so husbanded," holds rigidly in check all the deep feeling, tenderness, and anxiety that are aroused in her by her husband's and her country's plight.
When finally her suppressed grief and suspense can no longer be endured, her mind gives way and in a fit of madness she takes her own life.